By Ilka Schlockermann
A Laissez Passer. Let him pass. That’s the document the stateless carry. It’s all that those from the occupied Golan Heights possess. Since 1967, the area has been part of Israel, but the inhabitants aren’t Israelis. They don’t have any citizenship. They don’t have passports. Just a Laissez Passer. For the members of TootArd who all grew up in the village of Majdal Shams in the Golan, it’s a very apt name for their new album.
Picture by Hamody Gannam
TootArd
TootArd
“Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’”
But in statelessness, the band has discovered musical freedom. TootArd grew up understanding that borders are something imposed by governments, lines that only exist on a map. On a disc, in concert, they can go wherever their imagination carries them. They carry their citizenship inside.
“What we do now is the result of everything we’ve ever done and heard,” Nakhleh says. “We began listening to Tuareg music and we fell in love with it. It resonated with us. North African music is something we’ve heard since we were children. We all grew up with classical Arab music. In finding our own sound, we’ve discovered things from all over.” With Laissez Passer, the past has helped create the future.
On the title cut, Nakhleh notes, “the first verse is the reality, the second is our solution. Our people are stateless. We have no flag, no sense of belonging. It also reflects our emotions. We feel undefined, we don’t know where we belong, when everything in the world tells us we should belong. People always want you to say who you are.”
TootArd's Laissez Passer album cover
TootArd's Laissez Passer album cover
With its insistent riff that evokes the space of the desert, glorious driving, funky percussion, and an electric guitar that Nakhleh modified with extra frets to sound like an oud, the song builds a manifesto that bonds West Africa and the Maghreb to the Levant. It’s a thrilling taster for the album; more than that, it’s a very catchy one, with the subtle reggae flourishes adding a very organic, international feel. But those were a natural touch for the band, a nod towards their musical beginnings.
TootArd are not ‘undefined’; they’ve fashioned their own identity in their music, creating a bond of the stateless that reaches from the Levant to the Tuareg - another people without a real home - and reaches out far beyond. Let them pass.
* TootArd’s new album ‘Laissez Passer’ will be released on 10 November on Glitterbeat Records.
Formats: CD / LP (180 gm) with download code/ DL / Streaming
Catalogue numbers: GBCD 054 (CD)/ GBLP 054 (vinyl)